⭐ 今日推荐
三人世界
刘雅历（林子祥 饰）是一名广告公司高层，但感情生活并不如意——女友碧姬（关之琳 饰）与他分手了。本来就沉默寡言的雅历更加孤寂伤痛了，生活依旧刻板平凡。 后来他在一个合唱团里认识了一位极有天分的女孩巫慧敏（周慧敏 饰），本来打算对她多加照顾培训，却遭到慧敏母亲朱丽娥（郑裕玲 饰）的不满，以为雅历对自己年轻的女儿动了歪念，两人也因此成为了斗气冤家。 经多次的交往之后，朱丽娥才发现自己误会了雅历，便对他完全改观了，有困难的时候丽娥也主动找雅历帮忙。丽娥本来就是个离婚妇人，遇到了同样感情空虚的雅历，两人之间很快便滋长了爱情。这时，雅历的前女友碧姬却回来要求复合……
▶ 立即观看⭐ 热播推荐
更多 →⭐ 明星专区
更多 →乔尔沃卓斯基
丁荫楠
章明
李前宽
迈克尔·摩尔
约瑟夫·维尔斯麦尔
⭐ 即将上映
更多 →251月
候选人
在这座乡村宅邸中，一名想当上总统的有钱商人接受竞选团队的精心修饰，企图打造出中产阶级选民认同的形象。
281月
王牌保镖2
这对世上最要命的混搭-——保镖迈克尔·布莱斯和杀手大流士·金凯，再次执行一项要命任务。 大流士反复无常更胜以往的妻子——臭名昭著的国际诈骗家索尼娅·金凯迫使布莱斯出山。 布莱斯被这俩最危险的保护对象逼得走投无路，三人在一个全球级的阴谋中陷入困境，很快还发现他们是一个大疯子复仇欧洲的唯一障碍。 摩根·弗里曼也加入了这场有趣而又致命的乱局，他饰演的是——嗯，不得不看。
022月
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.